Born and raised in Denmark, Jens D. Laugesen moved to Paris in 1987 where he worked as chief assistant to visionary fashion photographer/art director Gunnar Larsen. This introduction to the world of high fashion encouraged Jens to study the techniques of Haute Couture design at the Chambre Syndicale de la Couture Parisienne. He graduated as top student in 1991, which resulted in him undertaking rare and prestigious internships in the couture studios of both M. Paco Rabanne, and M. Hubert De Givenchy.

Subsequently Jens worked for 2 years as a fashion journalist for the Scandinavian press before returning to education in 1993 to taking a Masters Degree in Fashion Management at the INSTITUT FRANCAIS DE LA MODE IFM in Paris. Following his graduation from IFM in 1994, Laugesen spent the following six years working as senior collection designer, design studio manager and head of collection for a number of internationally renowned design houses in Paris at both Haute Couture and Ready-to-Wear level.

In 2000 Jens relocated to London, where he joined the prestigious MA Fashion (womenswear) course at CENTRAL SAINT MARTINS CSM. Graduating with a distinction in February 2002, his much-acclaimed graduate collection was selected by leading Paris boutique Maria Luisa to be exhibited in the coveted store windows during Haute Couture week in July 2002. Jens was also invited to present his eponymous collection at London Fashion Week's talent spotting FASHION EAST show.

Heralded by Observer Magazine as "London's answer to Helmut Lang", Jens was awarded the British Fashion Council's NEW GENERATION award, permitting him to move his show onto the official London Fashion Week schedule for the coming 5 seasons. The first on-schedule show was an immediate success and he was named "the next big thing" by fashion industry figurehead Suzy Menkes, of the International Herald Tribune who described his collection as having "a sluttish elegance".

The //JENS_LAUGESEN label went on to trade for 6 years, during which time it showed on the London Fashion Week and Paris Fashion Week official schedules, and was stocked in more than 45 high profile stores world-wide, including Doverstreet Market and Selfridges (London), Maria Luisa (Paris), Lazzari (Treviso, Italy), Andreas Murkodis (Berlin), UK Style (Moscow), Susan of Burlingame and Opening Ceremonie (USA), IT and Shine (Hong Kong), Loveless, Adelaide and Beams International (Tokyo).

In 2006, Jens Laugesen became the first London designer to be awarded the French ANDAM FASHION AWARD, a fashion award for young designers supported by LVMH Group and L'Oreal, and which had previously been awarded to the designers Martin Margiela and Viktor and Rolf, amongst others. The prestigious financial award allowed him to present his AW0708 collection in Paris with an exhibition at the Musée des Arts Décoratifs, in the Louvre. The following season Jens returned to the London schedule, with a collection that was described by Vogue.com as ' one of the most beautiful shows of London Fashion Week'.

Other awards included the British Fashion Council's FASHION FORWARD award for SS08, entailing financial support from Westfield London for two consecutive seasons, and 'Designer of the Year' in March 2008 in his native Denmark.

Jens designed 12 collections (4 trilogies) with his eponymous brand, that became known for its conceptual thinking and personal "utilitarian" approach to the architecture of clothing. Developing a personal design philosophy named "Hybrid Reconstruction", his work was also featured in various style reference books including FASHION NOW 01, SAMPLE 100 and it was showcased in numerous collective exhibitions in international museums such as VICTORIA & ALBERT V&A (London), UCAD MUSEE DE LA MODE at LE LOUVRE (Paris) DANISH DESIGN CENTER, (Copenhagen) and FASHION INSITUTE OF TECHNOLOGY FIT (New York).

Today Jens has started a new creative research program for a fifth trilogy under the HEREON 01/02/03 working title that under a non commercial umbrella has for purpose to define HYBRID RECONSTRUCITON 2.0 15 years after its inception and to link it to the new ideologies of Meta-Modernism.

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